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Gas Station Sushi

by Tone Liv and Decay, the Llama

  • Record/Vinyl + Digital Album

    Limited edition 12" black vinyl of our new album Gas Station Sushi by Tone Liv and Decay, the Llama.

    Includes unlimited streaming of Gas Station Sushi via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 100 

      $20 USD or more 


  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more


  • Full Digital Discography

    Get all 6 Decay, the Llama releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Money and His Fool Deluxe Edition, D.II, Antique Black Deluxe Edition, Gas Station Sushi, Acid Blue and Other Demons, and D.. , and , .

    Purchasable with gift card

      $18.20 USD or more (35% OFF)


  • Limited Edition CD
    Compact Disc (CD) + Digital Album

    Gas Station Sushi album and instrumentals. Short run of CDs with a different design inside. Will not be produced again. When they are gone, that's it.

    Includes unlimited streaming of Gas Station Sushi via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

Cloudy Days 01:51
Ahead 03:59
Spectacular 02:16
Spearmint 02:59
Interlude 02:59
Lock & Key 02:20
Money 03:31


Years back I was paid cash to drive a rig from Rantoul to some shithole town in Minnesota. The cash told me not to ask questions, so I didn’t. In a cul-de-sac at the edge of nowhere, two big-knuckled lumpers attached a trailer to my Kentworth. I didn’t know what was in the trailer and I didn’t want to know. It didn’t matter. The same rules always applied. Drive like a motherfucker, get the load there pronto, and avoid the

I headed out on a cold, sunny morning, sticking to the big slab. The open road. I listened to Waylon Jennings and some ratchet jaw rhapsodizing about the beauty of America. I couldn’t see it. I’ve been from Beantown to Idiot Island and America to me was busted out highways and rusted train trestles. Potholes and lot lizards. Lanky, long-
armed pistoleros and the charred husks of dead cities. America: a whore on her back.

Short stop, a voice on the cb said. Short stop, come back.

The land was flat until it wasn’t. I entered Minnesota at midnight, hungry and punchy, heart full of rage. America is so big you find yourself in stretches of land emptied of signs and people. No power lines and no mile markers, just the scarred land and ancient stones.

A gas station emerged from the darkness, bright red Xs against a bone-white illuminated sign. I pulled in, gassed up on go-go juice and went inside the halogen-glowing box. A nervous, bean-pole yokel stood behind the cash register, eyeballing me. Just a kid, really. I flashed a malicious smile and turned my back on him.

I made my way to the deli case. Day-old sandwiches wrapped in thick plastic. Fleshy pieces of oblong meat spinning on aluminum rods. Rancid coffee in an oily orange-tipped carafe. The gamut of junk food surrounded me, with smudgy styrofoam packages of potato and macaroni salad piled in heaps. The whole tableau a buffet of cornstarch and msg and artificial flavoring and packaging so vivid the colors radiated.

My life a procession of lime green and pink neon, cornflower blue and lipstick red, greasy beef sticks and cracklin’ pork rinds, cheap-o beer and gas station sushi.

I bought a couple of colas and a three-pound bag of boiled peanuts. The beanpole stuttered through my change. I blasted him with silent hate. I exited, walked to the edge of the forest and shook out a cigarette. I stood and smoked in the frigid night. I looked at the gas station, laid out in front of me like a cheap painting. A slight, hooded
figure stood in front of the attendant, waving a gun in his face. I watched. It was a woman, you could tell by the shoulders, she must have been in there while I was shopping. The beanpole handed over two plastic bags of junk food and all the cash from the register. The hooded woman waved the gun in his face and then pop pop muzzle
flash. I flicked the smoking butt into the grass, ran to my rig. I turned the keys and toggled the gear shift and drove off. For an hour, I was sure the black-hooded woman was hiding in the trailer.

I stopped at a rest-a-ree 100 miles west, another middle of nowhere bunker with toilets and sinks and rough trade. Two old pros leaned against the luminous soda machines. They popped gum, twirled purses and made bored, do-me faces with hands on their cocked out hips. I approached. I didn’t make eye contact. How much, I asked. For you, darling, one of them said, let’s go with thirty. I doled out the cash and we
walked over to my truck—glistening in the bruised, pre-dawn gloaming—and the busted out lot lizard slid her fingers into my palm and held my hand. I never found out if the attendant died or recuperated or if I imagine the whole thing. Against the long highways that cut through the primeval forests and looming mountains, what does any of it matter.
My dad’s childhood advice rings in my ears: take the long view, rut when you can and die without screaming. That’s an American life.

The prostitute did her thing then hopped out of the rig without word. I tried to sleep but couldn’t. I had only the taste of sugary ashes in my mouth.


released August 16, 2019

This record is the coming together of Green Llama Movement under Tone Liv and Decay's direction. Dibia$e provides the majority of production on the record and is joined by fellow Green Llama producers Fluent and Low Key. Tranzformer, flo[rez] and Aurc also add their production to the mix. Tone Liv and Decay share MC duties with Defcee on the track Deathsport and the legendary Miilkbone of Keep it Real fame on the album closer, Beware.

All songs written by Tone Liv and Decay the Llama
except track 3 featuring Defcee and Track 11 featuring Miilkbone
All songs produced by Dibia$e
except #2-Aurc, #3-Tranzformer, #6-Low Key, #9-Fluent, #10-flo[rez]
Recorded, mixed and mastered at Muddy Water Soundbanks by
Alejandro "Jaz" Jasso
Executive Producers Daryl Stewart and Alejandro "Jaz" Jasso
Photography by Ramon ETC (
Layout Sean Doe and Chantala Kommanivanh
Additional consulting Dart Adams, GQ, and Uncle El.
What Does it Matter written by B. W. Beard


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Decay, the Llama Chicago, Illinois

Veteran emcee from Chicago. Formerly part of Molemen Records, co-founder of Green Llama Movement. Sole owner and proprietor of Filthē Analects Record Company.

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